(no subject)

Jul. 23rd, 2017 05:14 pm
skimmed_miilk: (love bomb)
[personal profile] skimmed_miilk posting in [community profile] addme

I'm a 33 year old Scottish woman, trying to get my journal groove back. I'm a mum of three boys from teen to newborn, and work in healthcare but (thankfully) I'm on maternity leave just now. I mainly write about daily life, the struggles and highlights of attempting to adult and parent and be healthy as a highly strung, stressed over-thinker who doesn't like herself most of the time.  

Wow, I sound fun.  Should I mention that there will be wine, gin and chocolate?

I was obsessed with my Livejournal back in the day - I started it back in 2003 and even though I've only dipped in and out of it in recent years, writing is still very much how I make sense of my life and my mind. That's why I'm trying to reignite that obsession I once had...though it's difficult with increasing grown up responsibilities and shrinking time of my own to put pen to paper fingers to keyboard.  But I know I need the chance to record snatches of life as it flies past, and an outlet for when my mental health takes a dive. 

I swear and I like to write no-holds-barred.  I'm very liberal and support choice - be that choice of who you love, choice over your reproductive options, or just the freedom to chose what you're going to watch on telly tonight. I'm doing my Masters in weight management so I try to live healthily through fitness (like dancing and weight training, albeit on a very beginner level) and healthy eating, but more often than not find myself alone amongst the crumbs at the bottom of a packet of biscuits. I'm book obsessed (mainly literary fiction and never fantasy, chick-lit, or much sci-fi), love a good tv series (Mr Robot, Stranger Things, The Handmaid's Tale, OITNB, Top of the Lake and Homeland have been recent highlights), and sometimes I even get out to see friends.  Some or none of this may come out in my writing.

Along with a lack of time, I guess part of why I've lost touch with my journal has been my shrinking friends list.  It's hard to make time to update when it feels increasingly like you're just shouting into a void. So I'd love it if anyone out there who is in a similar place in life or who is into similar things would like to take a punt on my journal.  I wont promise a very active journal but I am going to try, and I'm also going to try and be a good friend in return.

It's a good job I've been with my husband for ten years, because I'd suck at filling out a dating profile.  Feel free to swipe left (or is it right...? I'm not on Tinder).
drplacebo: (Default)
[personal profile] drplacebo
It's Forgotten Masterpiece Friday!

Kurt Atterberg (1887-1974) was a part-time musician for his entire life, and yet was one of the most prolific composers of the 20th century with nine symphonies and five operas to his name among other works. He got his start in music later than most: he did not study music or play an instrument at all until he started cello lessons at 15. But he was a prodigy in some sense, in that he won a seat in the cello section of the Royal Stockholm Philharmonic just six years after he first picked up the instrument, while he was an engineering student. By that time, he had already begun to teach himself to compose. Immediately upon completing his degree in electrical engineering in 1911 he was awarded a fellowship to study composition at the Royal College of Music, Stockholm, on the basis of his Rhapsody for Piano and Orchestra and an incomplete draft of his first symphony. In 1912, the same year that he had the first public performance of his music -- his first symphony, with Atterberg himself conducting -- he accepted a position at the Swedish Patent Office. He continued to work as a patent examiner until he was 81, while continuing to compose and occasionally conduct in his spare time. He wasn't only a prolific composer; he also co-founded the Society of Swedish Composers and served as its president for more than 20 years, and was a music critic for a Stockholm newspaper for most of his life.

Atterberg's big break as a composer came in 1928, when the Columbia Gramophone Company sponsored an international symphony competition commemorating the centenary of Franz Schubert's death, and calling for symphonic works inspired by Schubert. Atterberg entered his Sixth Symphony, and surprisingly the Swedish patent examiner took the first prize over a number of much more prominent composers, suddenly making him an internationally-known composer. This also meant new-found attention for his prior music, much of which received its first performances outside Sweden in the years that followed.

His success as a composer was short-lived, however. During the Second World War, living in officially neutral Sweden, he maintained ties with Nazi-controlled musical organizations in order to secure continued performances of his music in Germany. After the war, rivals accused him of being a Nazi sympathizer. Although these accusations were never substantiated, Atterberg also did not have the same kind of fame as Richard Strauss, who had faced similar accusations. He lost the presidency of the Society of Swedish Composers, and his music was rarely performed until his reputation began to recover in the 1960s.
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(no subject)

Jul. 17th, 2017 12:25 pm
justslayan: (Default)
[personal profile] justslayan posting in [community profile] addme
Location: US
Timezone: EST
Languages: English

Describe yourself in five sentences or less: I'm extremely new to DW but I have been roleplaying for years. This is awkward because I really don't like to talk about myself. I much prefer to immerse myself in whatever I'm writing and keep things mostly IC unless we need to plot. Bandom/celeb RP is my jam and often played Travis McCoy on Livejournal, as well as William Beckett and Justin Bieber. Check out my journal for more info.

Top 5 Fandoms:
2006 Bandom RP Era Music (if that counts as a fandom and yikes that sounds old)
Anime
Harry Potter
True Blood
Tie between Pokemon and Final Fantasy X


I mostly post about: Until I get comfortable here, I may not post about much. I am so used to only using journals IC that I often forget that I can have one for myself.

I rarely post about: Eh I'm an open book once you get to know me OOC. I just prefer to keep posts IC.

My last three posts were about: RP, reconnecting with long lost writing partners, and storylines for my Travie McCoy muse.

How often do you post?: In my personal journal? As needed. If I join a RP community, probably weekly.

How about commenting?: I love commenting and interacting, for sure.

(no subject)

Jul. 17th, 2017 10:44 am
decemberthirty: (Default)
[personal profile] decemberthirty posting in [community profile] addme
Hello! Like many people, I'm a longtime Livejournaler who's working on making the switch over to Dreamwidth. But I've had my journal there since 2001--that's pretty much my entire adult life! Change is hard! In order to help me shift my focus over here instead of over there, I'd like to see if I can establish a more active group of DW-friends. Let me tell you a little bit about myself and my journal.

About me:
My name is Katie, I'm 38, I'm queer, and I'm female. I'm a writer and writing tutor by profession (I write fiction and book reviews; I tutor high school students and beginning creative writers). I grew up in the Hudson Valley in New York State, and currently live in Philadelphia. I live in a very old house with my girlfriend of eighteen years and our two cats. I love to read (favorite writers include E.M. Forster, Marilynne Robinson, Virginia Woolf, Pat Barker, Ursula K. Le Guin, George Saunders, etc). I also like cooking, baking, canning, and food preservation of all kinds; hiking and bird watching; gardening; swimming; watching baseball.... I'm a rather typical introvert and lead a fairly quiet life. I drink entirely too much tea.

About my journal:
I began my LJ as a reading journal, and still often post informal book reviews and thoughts on whatever I happen to be reading at the moment. In addition to writing about books, I often post about food and the projects I undertake in the kitchen. Sometimes I use my journal to track goals. Sometimes I write about the things that are going on in my life. Rarely (very rarely) I share my writing. Sometimes I post about art, or the creative process, or a quotation that caught my attention. I tend to post about once or twice a week. There are often photos. I keep my journal friends-only, but if any of this sounds interesting to you I will be happy to add you so you can check it out. No harm done if it turns out to not be your style after all!

What I'm Looking For:
Like I said, I'm transitioning from using LJ as my main online home, and am looking for a more active friends list here on DW. I like genuine connections and interesting conversations. I'd love to meet people who share my interests, especially fellow book-nerds who want to geek out about literature with me. Outdoorsy folks, creative folks, thinkers, makers, teachers, learners.... I can't promise to be the world's greatest commenter and I don't expect you to be either, but I would like to talk to each other at least occasionally.

Say hello! Let's get to know each other!

New Dreamwidth Friends?

Jul. 15th, 2017 05:58 pm
bonesofbirdwings: Cute bunny with text: "Sometimes I think about murder" (Default)
[personal profile] bonesofbirdwings posting in [community profile] addme
  Name: Bones
Age: 21 (almost 22)
Location: Boston, MA
Gender: Female
Languages: English and a little Spanish

Describe yourself in five sentences or less: I'm fairly new here, but not new to fandom. I write fanfiction and I fandom-hop without rhyme or reason. I'm currently in a lot of small fandoms, and I love to add more, so feel free to try to get me obsessed with your favorite fandom. IRL, I'm a sleep scientist who doesn't sleep enough. I talk about my girlfriend a lot.

Top 5 Fandoms: 
I'm going to cheat, but in my defense, I am in so many fandoms...
Small video game fandoms (Oxenfree, Stardew Valley, and Primordia)
Boku No Hero Academia
The Goblin Emperor
Harry Potter (always... never hop away from this one)
Haikyuu!!


I mostly post about: Fanfiction, logic puzzles, fandom things. I'll probably start posting about my life at some point, but those won't be public

I rarely post about: politics, specifics about my work.

My last three posts were about: A logic puzzle and some fanfiction exchange/challenge stuff.

How often do you post?: Not much right now - I'm new here. But I imagine I'll be posting at least once every week, if not more.

How about commenting?: I'm good about commenting when I'm feeling social, but sometimes I don't have the energy. I like making friends and being friendly though, so I try. 
drplacebo: (Default)
[personal profile] drplacebo
It's Forgotten Masterpiece Friday!

Hans Rott (1858-1884) is one of the great what-ifs in music history. Gustav Mahler wrote of his Vienna Conservatory roommate: "It is completely impossible to estimate what music has lost in him. His genius soars to such heights even in his first symphony, written at the age of twenty, and which makes him - without exaggeration - the founder of the new symphony as I understand it."

Rott was, in a sense, a victim of Brahms's rivalries with Wagner and Bruckner. He studied under Bruckner at the Vienna Conservatory from 1874 through 1877, and he was influenced by Wagner's work, having attended the first Bayreuth Festival in 1876. He composed the first movement of his 1st Symphony as a graduation piece in 1878 -- hence Mahler's reference to him writing it "at the age of twenty" -- and it received high praise from his teacher Bruckner. But in 1880, when Rott completed the entire symphony, he was no longer a student, he presented the piece to two of Vienna's leading conductors, Johannes Brahms and Hans Richter, in an effort to get the symphony played. It was rejected almost out of hand. Brahms, knowing Rott was his rival's student, even told the young composer he had no talent whatsoever and should give up music.

Only a few months later, Rott had a psychotic break during a train journey: he reportedly threatened another passenger with a gun, shouting that Brahms had filled the train with dynamite and ordering his fellow passenger at gunpoint to extinguish his cigar. Rott was arrested and committed to a mental hospital. After a brief recovery in 1882 and 1883 in which he was able to begin work on a second symphony, he relapsed into psychosis in 1883 and was committed a second time. A year later, he died of tuberculosis, aged just 25. Where Rott's symphony greatly influenced his friend and one-time roommate Mahler, his untimely demise contributed to the theme of human mortality that pervades Mahler's work.

As for Rott's music, Mahler kept and catalogued it to ensure that it would not be lost to posterity. But despite Mahler's lengthy career as a conductor of major orchestras, he never performed Rott's symphony. The symphony would remain unheard until Gerhard Samuel conducted the Cincinnati Symphony Orchestra in its first-ever performance in 1989, more than a century after it was composed. Since then, it has been sometimes described by conductors and musicologists as "Mahler's Symphony No. 0" for the influence it had on Mahler. To be sure, it isn't a mature work; had it been rehearsed by an orchestra during his lifetime, Rott likely would have made revisions. Its orchestration is at times awkward, especially in the brass parts: modern performances generally divide its four horn parts among six players, for example. And to modern listeners, the resemblance to Mahler may be rather jarring -- but remember that Rott completed this symphony seven years before Mahler began to work on his first. Nonetheless, this is a brilliantly moving piece, full of imagination and emotional depth, and arguably one of the most important symphonies of the late Romantic era.

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